SOUND AND MUSIC FOR MOVING IMAGE / CINEMA / TV / INTERACTIVE /  SOUND AND MUSIC FOR MOVING IMAGE / CINEMA / TV / INTERACTIVE /  SOUND AND MUSIC FOR MOVING IMAGE / CINEMA / TV / INTERACTIVE /  SOUND AND MUSIC FOR MOVING IMAGE / CINEMA / TV / INTERACTIVE /  SOUND AND MUSIC FOR MOVING IMAGE / CINEMA / TV / INTERACTIVE /  SOUND AND MUSIC FOR MOVING IMAGE / CINEMA / TV / INTERACTIVE /  SOUND AND MUSIC FOR MOVING IMAGE / CINEMA / TV / INTERACTIVE / 


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︎︎︎︎︎︎︎︎︎ Georgina Starr’s debut film Quarantaine. Cinema Mix, original score and music edit were made by Brain Audio head of film, Tom Haines.

︎︎︎︎︎︎︎︎︎ Sound designer and composer Ieva Vaiti worked with Nexus Studios animation director Laurie Rowan, to make the sound and music for this animated short for the US Shots awards.

︎︎︎︎︎︎︎︎︎ Tom Haines made a live algorhythmic pure percussion score for Matthieu Landour Engel’s sci fi short Me and my mask.


︎︎︎︎︎︎︎︎︎ For Summer ‘21 Brain Audio composer and performer Chris Branch was musical director of Filter Theatre’s critically acclaimed A Midsummer Night’s Dream - performed in Manchester at “Homeground”.

︎︎︎︎︎︎︎︎︎ Edwin Mingard’s An Intermission documentary film was made in collaboration with the young homeless adults living in Stoke on Trent who feature in the film. 5.1 sound and original score by Brain Audio’s Tom Haines



︎︎︎︎︎︎︎︎︎ Sound designer and composer Ieva Vaiti worked with artistic associates Filter Theatre on the Guildhall school of music and drama’s production of Gorky’s epic play Barbarians


︎︎︎︎︎︎︎︎︎ Brain Audio head of film Tom Haines just produced the sound and cinema mix of Patrick Goddard’s Animal Antics. The film is collecting some fabulous reviews.

︎︎︎︎︎︎︎︎︎ Composers Chris Branch and Pascal Wyse wrote the score for Somnai - an interactive genre bending live immersive theatre show. Using cutting edge VR and AR story-telling techniques.